“No longer quite summer and not yet the heart of fall, September is both heat and cold, dark and light.”
President’s note: We here at Brooklin Poetry Society are so happy to return to our monthly meetings and blog posts. We start this year’s blog posts off with this beautiful and introspective piece by one of our newest and accomplished members, Fj Doucet. We hope you enjoy this reflection on poetry!
September! September! How like a poem is September! The first month of autumn, September lives ambivalently, tucked away in the liminal spaces of sense and memory. It is the start of a season as disorienting as a confession. No longer quite summer and not yet the heart of fall, September is both heat and cold, dark and light. The lush greenery of August, set aflame, falls to the ground and becomes a textured blanket. Once settled, those delicate remains of summer emit a rich, inimitable perfume, one capable of summoning memories of the season long after it has surrendered to the blue chill of winter.
Perhaps that duality is why my childhood memories of autumn are so vivid. They exist in an uneasy place where the cooling air shook off the laziness of summer, but the afternoons could still turn oppressively warm. In the short evening hours between returning from school and the disappearance of the sun, I would often run through fields covered with long, dying grasses, straw-like protrusions burned gold and bowed to the hardening ground. Yet here and there my shoes would still trample a lingering flower, and at the end of the jaunt I was just as likely to throw my sweater away as keep it on.
And how musical those tumbles through the evening fields were, how filled with their own rhythm and natural poetry. The leaves rustled and crunched, flights of birds cawed from far overhead, preparing to follow the pull of blood and instinct to far-away places I could only dream of, and the wind susurrated like a chilly whisper in the encroaching dark. And it was often dark, for the autumn sky is more oppressive than a summer sky, even the bluest and most open dome touched by hints of purple and red. The brightest day is tense with the promise of night.
It must be a hunter’s month, September, the sky rich with game in those final moons before the cold, the rifle proffering a dark and heavy shadow to the horizon. And certainly, it is a poet’s season, perhaps more than any other, for meaning in poetry is most effectual when couched between what is said and what is yet to be said, between what has gone, and what is yet to come—between the dead and the living, between what is whispered and what is kept utterly silent, clasped to the breast.
As a child staring up at the sky, I did not yet have the words to express that ambivalence, but I felt it in my blood, even as the birds felt the call to the south. The ambivalent, indeed the unspeakable, appealed greatly to me on those haunted afternoons and stayed close after, to become a part of my nature–or perhaps it is true that a poet is not made, but born, and I have always followed what cannot, must not, be clearly expressed.
So here I am again in September, a poet still, and childhood far behind me. And though there is beauty to be found in every season, when I step outside late of a September afternoon, I am once more confronted by an inimitable, sensual tapestry, no less striking than when I was a girl. It’s time again to breathe in the perfume of dying flowers and chase like a hunter this blazing chromatic riot of beauty that is all the more affecting for its fleeting, dual nature. Here it is, cleaved in two parts, side by side like a mirror–gold in the sky and gold on the ground.
Here now are some
poets born in September:
W.S. Merwin 1927
Elinor Wylie, 1885
by Fj Doucet