The last blog before our summer break was written by BPS member Connie Pompilii. Connie is also an artist, and the creator of the lovely, summery pictures accompanying the blog.
The arrival of June brings with it a gentle reminder to enjoy the simple things. Whether it’s having a cup of coffee on the front porch, reading a book under a shaded tree, or walking in the park, June, like poetry, is full of many treasures just waiting to be discovered.
This month’s blog writer, Gail M. Murray, explores the month of May as it appears in both history and verse.
May reminds me of Scarborough Music Theatre’s production of Lerner and Lowe’s Camelot. I’m securing silk daisies in my hair before bursting on stage to perform our dazzling production number “The Lusty Month of May”. As members of Lady Guinevere’s court, we frolic among the flowers, as we go a-maying. Guinevere, more sensuous earth goddess than regal queen, meets celibate Lancelot at the end of this romp.
Tra la, it’s May, the lusty month of May
That darling month when everyone throws self-control away
It’s May, it’s May that gorgeous holiday
When all the world is brimming with fun, wholesome or un-
Join Brooklin Poetry Society in celebration of National Poetry Month by attending our fourth annual poetry workshop. Hosted by Whitby Public Library, this year’s event will take place online due to the pandemic.
Interested individuals should sign up through the library’s system. We look forward to writing with you!
Just as we move into another Whitby spring, we get one last gust of winter, with snowfall this April first. Appropriately, Patrick Meade‘s blog for this month is the deceptively simple and wonderfully charming tale of a little Snowflake falling from Earth to sky and living a thousand lives all the way down.
Hey, Little Snowflake, what are you up to?
Hi, Grand Snowflake. Not much. Like you, I’m just falling.
I know you’re falling, but what else are you doing?
Oh, nothing. Just waiting, I guess.
Until I reach Earth.
Would you like to play a game while we’re falling?
Sure, which one?
How about a game of What If?
Oh, I like that. But do we have time?
Sure, we have plenty of time, Little One, before that happens.
The blog for March is written by veteran BPS member Jenny Sorensen
I remember some years ago listening to an interview with an acclaimed literary critic on CBC radio and he pointed out something both simple and true: books – and literature – provide companionship.
The Brooklin Poetry Society, by its very nature, offers companionship.
With the evocation of feeling in poetry, the walls are down.
We can create a tapestry of meaning out of who we are anytime, anywhere.
This has always been the shaman in the human.
This ability to transcend, to reinvent, to overcome and recreate– we are bird, fish. We are river, rock, history and future.
The Buddhists speak of sangha, a community of the devout, where we take refuge. In this sacred place, we take refuge. I like that–this sense of sheltering in something.
Everywhere, life seeks its soil, its air, its water, and we, we lift ourselves, long needles seeking meaning. How we thread it through our lives–the patterns, the threads we choose, the gaps and material we bring together. The cable and satellite we string with face and voice and thought. We weave a blanket with our reaching. Far and wide. Near and present.
when the moment is quiet and still in the mush of night and the slide of day when you look inside the fabric you have made this is the blanket here is warmth here is sacred here is companionship here is shelter
March is upon us, that time of year when we feel and see that even that which has been closed, that which has been dormant, hidden, has seeds and life and potential, waiting to sing. It surrounds us
each and every single bud on the great tree
the individual in the sacred
woven together with presence and intention
even when we feel alone, birds fly overhead
trees grow in the space between leaf and limb.
There is a lift in in the fabric we are part of, the spaces inside the weave full of hope and faith, intelligence, need and ambition, kindness. We take refuge. We keep each other warm. I am in this. You are in this. We stand not part of it, but within it. All around us, this great, leaping, deeping happening is our refuge.
If we were to take a moment and think about what we value, what’s important, here are some dates to consider for this month:
March 3rd – World Wildlife Day
March 6th – National Oreo Day
March 12th – World Sleep Day – why is that on a Friday???
The blog for February, 2021 is written by our own Past President, Renée M. Sgroi.
I was in a Zoom meeting the other day with a group of beginning writers, and was asked about providing some advice for those just setting out on a path towards something that could be called capital W, “Writing”.
I think as writers, everyone comes to “Writing” differently. For some, writing is a hobby, or one they have returned to after an absence of many years.
For others, writing is something they have continually done all their lives, but inconsistently so, sporadically, while for others, writing is a necessity, a passion, the source of all inspiration.
While I make no claims to being an expert on living a “writer’s life” (whatever that may be, in any case), being further along the path than some of the participants in the meeting, I offered the following suggestion.
Especially as poets, perhaps one of the most important things we can do for ourselves is to be consistent. That is, to write every day. And yes, right now, that might be an even greater challenge than it was in a pre-pandemic world, for so many reasons.
So what if you only have five minutes to spare? That’s okay! Five minutes a day is five minutes towards a person’s engagement with their own creative practice. The world’s greatest poem may not be written in five minutes, but then, ignoring one’s own creativity won’t produce that poem either.
And that five minutes can be whatever you want it to be. Freewrite, focused writing, journaling, whatever. But the more consistent it is, the easier it will be to write, to flex that part of the brain that loves to write, that can write.
Fortunately, I think poetry lends itself to shorter time frames. Not because poems are shorter than other types of writing, but because the economy of language that a poem relies on, means that those five minutes could be spent on just one line. Think about that for a sec: one day, one line.
So as we head into a February still circumscribed by pandemic restrictions, try it out. Take advantage of a solid five minutes each day. You might be surprised by what you will create!
This month’s blog is written by long-time BPS member John di Leonardo.
January lingers as a proper time to faithfully reflect on the previous year and a unique opportunity to make fresh starts. I personally like making New Year’s resolutions regarding creative projects, specific goals I would like to achieve in the next twelve months. I routine manage this, while sipping my morning espresso, by reading new poets, perusing my art book collection or, later at night, by mining YouTube for influential artists’ programs, exhibitions and interviews.
The other day I was flipping through my many sketchbooks and inevitably began reading notes I had randomly jotted down concerning the creative process. These handwritten notations, quotes and sketches gave me some pause and possible ideas for future paintings and poems. I thought I’d share the notes with you, with the earnest hope to stir the muse or creative juices and to explore novel ways of creating. I am not just interested in technically proficient artwork, but also work that assumes risks, and inevitably leads to that in flow moment where everything feels harmonious, unified, and effortless until you look up six hours later and smile.
Sketchbook Notes: Art/Poetry
Let your imagination roam free. Be receptive to all things; embrace risk and failure– this is part of the creative process!
Trust your inner voice. Your gut feeling has evolved over millions of years, so dismiss the inner voice that whispers “They will think I’m foolish.”
Give risky ideas time for your unconscious mind to mull over a solution. Sleep on it.
Recombine ordinary words and images. Be open to new possibilities of ideas, words, images in new and unpredictable associations.
Question the rules that govern the art form. Know the rules. Bend them, then break them! Break them! Even if people tell you they like your old work better.
Break away from current narrative forms. Experiment with meter & syntax; seek new purity in word & phrase. Lower the tone to a whisper. Slow down the pace. Fill each pause with meaning.
Be technically proficient but go well beyond the page or canvas. That is where art resides.
Always keep an eye on form & content, the what and the how. What am I saying? And why am I saying it this way? Unity and harmony is a must in any artwork!
Be aware of your culture’s needs and wants, the beautiful and the dark. Read ideas; read artists; read philosophy and read things you are not interested in. Have an opinion!
Explore new subjects and create new genres in the art form.
Imply a visual or word puzzle that makes you ask, “What is going on?”
Strive to attain an essential, literal and visual language that is both ephemeral and deep, one that fosters associative feelings and meanings.
Strive for layered, ambiguous work. Multiple viewpoints offer fresh meanings with each new reading or viewing.
Show what a new art or poetry could be. The process is everything.
Brooklin Poetry Society is seeking video performances for its new YouTube channel. Open to non-members as well as members. Please send videos recitations of your work to email@example.com. If you are uncomfortable including your own image in the video, you may provide an audio recitation with accompanying background images in the video, but a video component is necessary.
In your submission package, please include your cover letter, 1-3 videos, and a typed copy of your poems. Selected works will be published in text on the BPS website, with links to performances on the YouTube channel.
Previously published works are acceptable. Please cite original publication in your submission package.
No payment will be provided, but no submission fees are requested.
This month’s blog is by BPS member Natalie Fraser. She can be found on Instagram @thedeepriverdreamer.
Have you ever struggled to understand a poem?
You read it once. Twice. After the third reading, not understanding what the poet is trying to say, you cast it aside, grumbling that it’s indecipherable – or worse. But then, when you mention the poem to poetry-loving friends, their faces light up and they immediately extol its virtues, elaborating on how it moved them to tears. WTF?, you think, nodding your head, not wanting to admit the poem completely baffled you.
How much you appreciate a poem depends, in part, on how you relate to its opacity – its accessibility – how easy it is to grasp its theme. The appreciation of opacity in poetry varies from person to person, culture to culture and even era to era.
Once upon a time schools required pupils to memorize poems. Forced to stand in front of the class and recite poems such as Invictus, by William Ernest Henley, or Paul Revere’s Ride, by Henry Wadsworth Longfellow, students trembled in fear and stumbled through the lines. Some pupils appreciated the poems for the rest of their lives. But it remains debatable as to whether memorization helped the average student to penetrate the opacity of the poem.
The works of the master poet-playwright, Shakespeare, are classically opaque, with fresh meanings and interpretations to be discovered with every reading. People experiencing his language for the first time often begin with a fear of its opacity that diminishes, and then disappears as their delight in the story takes over. Many high school students roll their eyes in dismay when told they must study Shakespeare’s work, but then discover that they actually like it. His compelling universal themes continue to reflect the angst of life today, hundreds of years after he wrote about them, but first readers must pierce the veil of opacity – or even just their fear of opacity – before finding the treasures within.
Instapoetry lies on the other side of the spectrum. Its low opacity makes it instantly accessible. It showcases very short, personal, uplifting poems, often with illustrations or photography. Superstar Instapoet Rupi Kaur, a Canadian born in India, rose to fame in 2013 by sharing her illustrated poems on Instagram and Tumblr. Her debut book, “Milk and Honey” appeared on bestseller lists for over a year and sold over three million copies. Her very short, easy to understand poems and winsome illustrations appeal to people trying to make sense of a confusing and complicated world. Her popularity continues, along with many other Instapoets.
Some may deride the simplistic nature of Instagram poetry. But its low opacity level and easy accessiblity work to capture the imagination of young people today, who must struggle with love in the age of Tinder and jobs in a time of outsourcing – and a pandemic – as well as finding their way in a world ruled by social media. The constant, exhausting connection to social media and its accompanying pressures leads many to yearn for simplicity; and they may find that an easy, short, and uplifting poem restores their souls faster than more complex poetry.
While the appreciation of poetry’s opacity varies from person to person and age to age – from Shakespeare and Longfellow to Kaur and Instagram – poetry continues to move us and to help us make sense of our world.