Welcome to the official website of the Brooklin Poetry Society! We are a small poetry collective located in Brooklin, Ontario, dedicated to furthering the spaces for poets and poetry on the shores of Lake Ontario and surrounding areas. Our site is currently a work in progress, but we hope you’ll enjoy the poetry you find here. Please feel free to find us on Facebook (@Brooklin Poetry Society), Instagram (@brooklinpoetrysociety) and Twitter (@BrooklinPoetSoc).
Please be aware that the contents of all web pages on this website are protected by copyright law and may not be used in whole, or in part, without the express consent of the authors.
The Brooklin Poetry Society gratefully acknowledges the generous financial support of the Town of Whitby’s Performing Arts Community Development Fund. https://www.whitby.ca/en/
The blog for February, 2021 is written by our own Past President, Renée M. Sgroi.
I was in a Zoom meeting the other day with a group of beginning writers, and was asked about providing some advice for those just setting out on a path towards something that could be called capital W, “Writing”.
I think as writers, everyone comes to “Writing” differently. For some, writing is a hobby, or one they have returned to after an absence of many years.
For others, writing is something they have continually done all their lives, but inconsistently so, sporadically, while for others, writing is a necessity, a passion, the source of all inspiration.
While I make no claims to being an expert on living a “writer’s life” (whatever that may be, in any case), being further along the path than some of the participants in the meeting, I offered the following suggestion.
Especially as poets, perhaps one of the most important things we can do for ourselves is to be consistent. That is, to write every day. And yes, right now, that might be an even greater challenge than it was in a pre-pandemic world, for so many reasons.
So what if you only have five minutes to spare? That’s okay! Five minutes a day is five minutes towards a person’s engagement with their own creative practice. The world’s greatest poem may not be written in five minutes, but then, ignoring one’s own creativity won’t produce that poem either.
And that five minutes can be whatever you want it to be. Freewrite, focused writing, journaling, whatever. But the more consistent it is, the easier it will be to write, to flex that part of the brain that loves to write, that can write.
Fortunately, I think poetry lends itself to shorter time frames. Not because poems are shorter than other types of writing, but because the economy of language that a poem relies on, means that those five minutes could be spent on just one line. Think about that for a sec: one day, one line.
So as we head into a February still circumscribed by pandemic restrictions, try it out. Take advantage of a solid five minutes each day. You might be surprised by what you will create!
This month’s blog is written by long-time BPS member John di Leonardo.
January lingers as a proper time to faithfully reflect on the previous year and a unique opportunity to make fresh starts. I personally like making New Year’s resolutions regarding creative projects, specific goals I would like to achieve in the next twelve months. I routine manage this, while sipping my morning espresso, by reading new poets, perusing my art book collection or, later at night, by mining YouTube for influential artists’ programs, exhibitions and interviews.
The other day I was flipping through my many sketchbooks and inevitably began reading notes I had randomly jotted down concerning the creative process. These handwritten notations, quotes and sketches gave me some pause and possible ideas for future paintings and poems. I thought I’d share the notes with you, with the earnest hope to stir the muse or creative juices and to explore novel ways of creating. I am not just interested in technically proficient artwork, but also work that assumes risks, and inevitably leads to that in flow moment where everything feels harmonious, unified, and effortless until you look up six hours later and smile.
Sketchbook Notes: Art/Poetry
Let your imagination roam free. Be receptive to all things; embrace risk and failure– this is part of the creative process!
Trust your inner voice. Your gut feeling has evolved over millions of years, so dismiss the inner voice that whispers “They will think I’m foolish.”
Give risky ideas time for your unconscious mind to mull over a solution. Sleep on it.
Recombine ordinary words and images. Be open to new possibilities of ideas, words, images in new and unpredictable associations.
Question the rules that govern the art form. Know the rules. Bend them, then break them! Break them! Even if people tell you they like your old work better.
Break away from current narrative forms. Experiment with meter & syntax; seek new purity in word & phrase. Lower the tone to a whisper. Slow down the pace. Fill each pause with meaning.
Be technically proficient but go well beyond the page or canvas. That is where art resides.
Always keep an eye on form & content, the what and the how. What am I saying? And why am I saying it this way? Unity and harmony is a must in any artwork!
Be aware of your culture’s needs and wants, the beautiful and the dark. Read ideas; read artists; read philosophy and read things you are not interested in. Have an opinion!
Explore new subjects and create new genres in the art form.
Imply a visual or word puzzle that makes you ask, “What is going on?”
Strive to attain an essential, literal and visual language that is both ephemeral and deep, one that fosters associative feelings and meanings.
Strive for layered, ambiguous work. Multiple viewpoints offer fresh meanings with each new reading or viewing.
Show what a new art or poetry could be. The process is everything.
Brooklin Poetry Society is seeking video performances for its new YouTube channel. Open to non-members as well as members. Please send videos recitations of your work to email@example.com. If you are uncomfortable including your own image in the video, you may provide an audio recitation with accompanying background images in the video, but a video component is necessary.
In your submission package, please include your cover letter, 1-3 videos, and a typed copy of your poems. Selected works will be published in text on the BPS website, with links to performances on the YouTube channel.
Previously published works are acceptable. Please cite original publication in your submission package.
No payment will be provided, but no submission fees are requested.
This month’s blog is by BPS member Natalie Fraser. She can be found on Instagram @thedeepriverdreamer.
Have you ever struggled to understand a poem?
You read it once. Twice. After the third reading, not understanding what the poet is trying to say, you cast it aside, grumbling that it’s indecipherable – or worse. But then, when you mention the poem to poetry-loving friends, their faces light up and they immediately extol its virtues, elaborating on how it moved them to tears. WTF?, you think, nodding your head, not wanting to admit the poem completely baffled you.
How much you appreciate a poem depends, in part, on how you relate to its opacity – its accessibility – how easy it is to grasp its theme. The appreciation of opacity in poetry varies from person to person, culture to culture and even era to era.
Once upon a time schools required pupils to memorize poems. Forced to stand in front of the class and recite poems such as Invictus, by William Ernest Henley, or Paul Revere’s Ride, by Henry Wadsworth Longfellow, students trembled in fear and stumbled through the lines. Some pupils appreciated the poems for the rest of their lives. But it remains debatable as to whether memorization helped the average student to penetrate the opacity of the poem.
The works of the master poet-playwright, Shakespeare, are classically opaque, with fresh meanings and interpretations to be discovered with every reading. People experiencing his language for the first time often begin with a fear of its opacity that diminishes, and then disappears as their delight in the story takes over. Many high school students roll their eyes in dismay when told they must study Shakespeare’s work, but then discover that they actually like it. His compelling universal themes continue to reflect the angst of life today, hundreds of years after he wrote about them, but first readers must pierce the veil of opacity – or even just their fear of opacity – before finding the treasures within.
Instapoetry lies on the other side of the spectrum. Its low opacity makes it instantly accessible. It showcases very short, personal, uplifting poems, often with illustrations or photography. Superstar Instapoet Rupi Kaur, a Canadian born in India, rose to fame in 2013 by sharing her illustrated poems on Instagram and Tumblr. Her debut book, “Milk and Honey” appeared on bestseller lists for over a year and sold over three million copies. Her very short, easy to understand poems and winsome illustrations appeal to people trying to make sense of a confusing and complicated world. Her popularity continues, along with many other Instapoets.
Some may deride the simplistic nature of Instagram poetry. But its low opacity level and easy accessiblity work to capture the imagination of young people today, who must struggle with love in the age of Tinder and jobs in a time of outsourcing – and a pandemic – as well as finding their way in a world ruled by social media. The constant, exhausting connection to social media and its accompanying pressures leads many to yearn for simplicity; and they may find that an easy, short, and uplifting poem restores their souls faster than more complex poetry.
While the appreciation of poetry’s opacity varies from person to person and age to age – from Shakespeare and Longfellow to Kaur and Instagram – poetry continues to move us and to help us make sense of our world.
The last half-year has seen tremendous change sweep the world, and we at the Brooklin Poetry Society have not been excepted from the upheaval. After the inception of quarantine, it became clear to us that meeting in person would be a health risk to the group and we, like many other organizations, elected to hold our meetings via Zoom. In some ways online sessions proved more efficient, with otherwise busy members able to attend as they might not have in person. Naturally, however, the move was also disheartening. We missed the familiar milieu of our beloved Brooklin teashop, The Goodberry,
its airy lightness and uplifting fragrance, as well as the chance to escape the sometimes too-familiar walls of home.
Those walls would become even more familiar, at times oppressively so, over the spring and early summer, as we sheltered in place for the public good. It was not until Stage Three of the quarantine was ushered into Durham Region that we were able to make plans for another in-person meeting. This was finally held in early August, and outside in Grass Park, Brooklin, rather than in a restaurant, to mitigate the continued possibility of infection. It was a delightful, open-air exchange of poetry and ideas, perhaps more enjoyable than most given our long anticipation, but not without adjustments, such as a need to sit far apart.
We also experienced a significant change in the group’s leadership. As she wrote in her last blog post, our hard-working and exceptionally talented society president, Renée M. Sgroi, decided that the time had come for her to move on from the BPS presidency. She enjoined me to assume leadership of the group, and I agreed to do so with her continued guidance. I headed my first meeting on that bright August day, and we planned for a second with optimism. If all goes well, we will meet outside again on the 13th of this September. In the meantime, we will continue to monitor the news for outbreaks.
Some may say that in such dangerous times, poetry is a mere frivolity and not worth the risk, but I would not be one of them. I am all too aware that we live in a moment of profound uncertainty, of crisis suspended between a comfortable past and a murky future, yet I believe that the beauty and contemplation of verse may provide peace of mind sufficient to carry us through another strange and disquieting day. For this reason, we plan to continue to provide that solace and hold our meetings consistently. Whether amidst the ornamental clink and perfume of the teashop, in the fresh air of the park, or the convenience of the virtual connection, we will be there, and we invite all of you to join us.
Finally, I also encourage you to visit the website of our esteemed past president, here. Renee’s debut full-length book of poetry, life print, in points, is now available for order througherbacce press out of Liverpool, England, and we are all immensely proud of her.
We are so pleased with this submissions to this year’s contest! We had an outstanding number, and our contest was publicized by organizations including the League of Canadian Poets and the Canadian Authors Association, so thank you to all those who shared news of our contest!
A huge debt of gratitude to our wonderful judge, accomplished poet KV Skene, who was so generous both with her time and her comments. As KV told us: “Iwas immediately intrigued with the diverse interpretations of the ‘World of Poetry’ theme displayed by the entrants of the Brooklin Poetry Society’s 3rd annual Poetry Contest and totally impressed by the high quality of their work. This, I realized, was not going to be easy. Every poem was read, reread and read again and every day I changed my mind. Again. However, eventually, decisions do have to be made.”
Many thanks as well to all the poets who entrusted us with their poetry. Entering a contest can be a daunting task, and it takes courage to submit knowing full well that the risk of rejection can be greater than the chance of winning a small number of coveted prizes. So, to all those who submitted, we hope you’ll celebrate having taken the risk and congratulate yourselves on the general acrobatic act of writing poetry in the first place!
And now, for the winners. First place goes to Anna Yin for her poem, “Ask”. Here’s what our judge, KV Skene had to say about this poem: “A sad, sensuous poem — after Qu Yuan (Chinese poet, 340-278 BCE). Its otherworldliness suggestively envelopes you, particularly in the following lines:
“My heart is wrapped by leaves of reeds.
unfolding then closing –”
Its last stanza subtly evokes Eliot’s ‘April is the cruelest month’. Perfect. “
The second place prize goes to Bänoo Zan, for her poem, “Naming Ceremony”. In the words of our judge: “Divided intothree sections, Naming Ceremony is a meaningful, many-layered poem, beautifully executed as it keeps unfolding more and more of itself:
“her eyes round
of the forest
she has become – “
“Naming Ceremony” is a poem that greatly rewards multiple readings.”
Our third place prize goes to Marsha Barber for her poem, “Taking His Hand”. Here’s what KV had to say about this poem: “A deceptively simply poem that tells an all-too-familiar story for TTC habitués – and a great example of Coleridge’s dictum – i.e.‘the best words in the best order’, for instance:
KV also wanted to cite a few other poems that, while they didn’t win any of the above awards, were worthy of mention: Natalie Fraser, for her poem, “Silence”; Christine Lyons for her poem, “The Raging River”; and Debbie Okun Hill for her poem, “He Had the Face of Putto”.
Once again, thank you to our amazing judge, KV Skene, and to all who submitted. What a fantastic contest, and we hope you’ll enjoy reading the winning selections. Until next year!
We still have lots of summer left to enjoy, so we’re super excited to announce a shortlist for our 3rd annual contest! Thank you to all those who submitted, and congratulations to all those who were shortlisted! Winners will be announced towards the end of August.
All good things must come to an end, as the saying goes, and so too with the Brooklin Poetry Society.
After three wonderful and exciting years, I’ve decided to transition out of my role as president of the group.
It’s been such an honour and a pleasure being president. The Brooklin Poetry Society is such a lively and supportive group of poets, and it’s been an amazing opportunity to meet and work with fellow poets in this capacity.
I’m very proud of the accomplishments we at the BPS have achieved during my time as president. One of my first ideas as president was to launch a website, which has helped to increase our visibility both locally and abroad. I’m thrilled that as a result of our website, we’ve had some amazing poets join our community.
The website is also an wonderful showcase for our poets, some of whom can say they had their first poem published on our site! So it’s such an honour to be able to say that because of our website, we’ve created a space to encourage and support first-time and emerging poets.
After seeing the success of our website, I also realized we needed to venture into social media. I’m happy that our foray into social media has resulted in a solid and ever-increasing following that has helped us to connect with poets and poetry groups around the country.
We also began offering an annual, free poetry workshop at the Whitby Public Library in celebration of National Poetry Month. I was extremely proud to host and run these workshops on behalf of our group. The turnout is always great, and the feedback even better!
We also managed to publish another poetry anthology, which I had the great honour of editing. The wonderful thing about it as well was that it celebrated the 10th anniversary of our poetry group, and it was lovely to see such inspiring work appear in this latest anthology!
And perhaps most exciting of all, during my time as president, we started an annual poetry contest, open to poets across Canada. Interest and submission to the contest continues to grow, and we couldn’t do any of these things without the support of the Performing Arts Community Development Fund from the Town of Whitby. I’m proud to say that filling out a successful arts grant for the first time is one of my accomplishments as president too!
So, while I have thoroughly enjoyed my time as president of the Brooklin Poetry Society, it is time for me to transition to other projects. I’ll continue to be actively involved with the BPS, even as I embark on some exciting projects of my own. Keep an eye out for some announcements from me in the next few months!
To everyone who follows us on WordPress, on Twitter, and on Instagram, thank you for liking and sharing our posts. I hope you will continue to support us and our endeavours, especially as so much of our work right now takes place on the internet.
And to my fellow poets in the Brooklin Poetry Society, thank you for your support, your encouragement, and the love and gratitude you have shown me as president. I couldn’t have done it without you!